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Workshop in Cochabamba, Bolivia

Festival de performance Cimientos, Casa Patiños. Mayo 2016. Con: Camila Rocha, Tika Michel, Jody Cash, Rosa Caballero, Winner Zeballos, Allison Veizaga, Paola Teran, Diego M. Verduguez, Carolina David Balcazar, Serena Vargas, Mauricio Del Carpio, Daniela Gonzáles Mariana Bredow, Alejandra Carranza, Diego Agulló. El evento participativo fue el resultado de 5 días de colaboración entre los participantes del taller. En este proyecto se articula la maquinaria burocrática como principio coreográfico…

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Workshop: Dancing the problem, at Teatro Pradillo Madrid

4th until 9th April 2016 at teatro Pradillo Madrid http://www.tea-tron.com/teatropradillo/blog/2016/03/22/boletin-4-a-804-2016/ El laboratorio propone cinco días para ejercitarse juntos en una práctica muy concreta, que es, a su vez, la propia metodología del laboratorio, a saber: el movimiento de oscilación con intervalo cíclico, que es un proceso que permite a cualquier práctica mantener abierta la relación…

Diego Agulló and Jorge Ruiz Abánades

The multiplication of bodies

THE DANCING PLAGUE. A collaboration with Jorge Ruiz Abánades. THE HUMPING PACT is a mission based project by Diego Agulló and Dmitry Paranyushkin. It is a pact between two friends that share the secret perversion of conquering spaces multiplying themselves all over the image and eroticizing reality while simulating the sexual act. The project started…

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Workshop: The Journey of Theory. Dancing the problem

THE JOURNEY OF THEORY – DANCING THE PROBLEM The role of conceptualization in the artistic practice During these 3 weeks we will focus on understanding which problems we are dancing to and what are the fundamental problematics that our artistic practices are built upon. This attempt will lead us to reflect together on the relation…

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Ballein: danger, dance and affirmative forces

This exercise proposes a dance detonator and it consists on two parts: the first part is about triggering the dance as a reaction to the danger of getting hit by a projectile while being blindfolded. One group throws a projectile in order to hit blindfolded bodies. The impact is unexpected. The second part of the exercise is about…